[email protected]
www.mse.tv
+44 (0)20 7434 0101
Marshall Street Editors
8-9 Carlisle Street
London
W1D 3BP
About
We are a leading creative editing company and specialise in cutting high profile commercials, music videos and online content. Founded in 1999 by editors Tim Thornton-Allan and John Mayes. Together they expanded the roster and we now have a talented team of twelve award winning editors.
We’re happy to edit for you in our office in central Soho, London and we have extensive on location editing experience and will travel wherever you need us to. We also have an affiliation with Union Editorial who are based in Austin, New York and LA.
With our wealth of experience, brilliant support staff, approachable nature and our genuine passion to create beautiful work, we are here to ensure you have a great experience from the moment you walk through our door. Oh and our roof terrace is pretty enticing for when you need some time out from the edit suite!
Showreel
LBB Newsfeed
A Curious Cowboy Gets His Skates on in Floyd Luggage’s First Ever Christmas Ad
Campaign was developed and directed by the creative team Can't See out of OB42
David Beckham Celebrates Pub Quality Beer At Home in Campaign with PerfectDraft and Stella Artois
The campaign was created with Anonymous Content and directed by Patrick Daughters
Dawn French and Christmas Fairy Put on a Feast with M&S
Iconic fairy returns in multi spot campaign from M&S Food and Merman
Director Caswell Coggins Adds His Magic to 'Wizards of Baking' Teaser
Johnny Foreigner director and Red Bee whip up the spot for Food Network's latest show
Boxers Head to the Jaws of Death in Riyadh Season from Guy Ritchie
Sporting fans’ anthem 'Sweet Caroline' soundtracks the RESET and BigTime Creative Shop spot starring Anthony Joshua and Daniel Dubois
25 Years of Marshall Street Editors with John Mayes and Tim Thornton-Allan
Following the edit house’s 25th birthday, LBB’s Zoe Antonov caught up with the two founders to hear their tales of ‘90s Soho, their early work with Fredrik Bond and Leagas Delaney, and why editing on set has remained MSE’s biggest USP