[email protected]
[email protected]
www.rattlingstick.com
02078512000
Rattling Stick
2nd Floor
25-26 Dering Street
London, W1S 1AT
About
Rattling Stick is a multi-award winning production company.
Being the brainchild of Daniel Kleinman, Ringan Ledwidge and Johnnie Frankel, Rattling Stick was always going to be a melting pot of creativity, comedy and culture, and remains every bit irreverent as the day it was founded in 2006.
We make content in all forms, but commercials are our bread and butter, and we make them the Rattling Stick way – carefully crafted with top talent, teams who have been in the business for decades, and a lot of laughs along the way. It’s as simple as that.
LBB Newsfeed
Aimée-Lee Xu Hsien on Comedy, Crazy Problems and Criminal Ideas
The Rabbit and Rattling Stick director discusses her comedy heist 'The Nest Egg' starring Deborra-Lee Furness, and solving challenges from unicorn rainbow sharts to spaghetti from a cow udder, as part of LBB's The Directors series
Claas Ortmann Joins Rattling Stuff for Commercial Representation in UK
Claas Ortmann has worked with brands including Hyundai, Volkswagen, Coke, Axe, ING, Yelp, Audi, and McDonald’s
Lenovo and FIFA Let AI Run the Beautiful Game for World Cup 2026
The bold campaign, produced by Rattling Stick and directed by Owen Trevor Black, positions Lenovo technology as the engine behind the most technologically advanced World Cup in history
Patak’s Challenges Brits to Cook like a Curry House
Campaign from Ourselves and Rattling Stick director Michael J. Ferns celebrates the secret ingredients in good curry
Bending Time and Space with Rattling Stick Director Michael J Ferns
Rattling Stick’s Michael J Ferns speaks to LBB’s Olivia Atkins about creative discipline, surviving the ‘glorious bedlam’ of children's TV, and why human flaws and doubt beats AI efficiency when it comes to storytelling
“We Do Yarns”: Ridley Scott Answers Ad Directors’ Questions
As his BFI retrospective comes to an end, LBB’s Alex Reeves speaks to the legendary director about how he “caught the wave” of advertising, why “directors talk too much” and the importance of telling a good yarn